The Death of Carlos Gardel

Solveig Nordlund (2011)

fiction / 85’ / Drama

Nuno is the son of divorced parents. He lives a nomadic existence with his father: he lost all his friends and never stays long enough anywhere to make new friends. Now Nuno has become a drug addict, he’s in hospital, in a coma struggling between life and death. His father and his father’s sister remain by his bedside. The three separately evoke requests from the past and other characters they meet also complement their current life experiences and memories. Based on the novel by António Lobo Antunes.


  • Festival Caminhos do Cinema Português
    Best Film

    Lisbon & Estoril Film Festival
    Best Actor

  • 30th Uruguay International Festival
    Best Ibero-American Feature Film by the FIPRESCI Jury

  • Festival Caminhos do Cinema Português

    Lisbon & Estoril Film Festival

    30th Uruguay International Festival

    Opening Session - Douro Harvest Film Festival

    Cinema Lusco Fusco (BR)

    Fortnight of Portuguese Cinema in Strasbourg (FR)

    European Film Festival (RS)

    Ibero-American Festival in Boston (USA)

    Portuguese Cinema at CLP in Prague (CZ)

    ”5 Films, 5 Books” - Library of the Portuguese Cultural Center in Mindelo (CV)

    28th edition of the Chicago Latino Film Festival - USA

    Cinecultura Film Festival in Timisoara (RO)

    Portuguese Cinema Cycle in Maputo (MZ)

    European Union Film Festival - Bangkok

PRODUCTION CREDITS

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PRODUCTION CREDITS 〰️

DIRECTION

EXECUTIVE PRODUCTION

Acácio de Almeida

Ana Paula Rocha

Silvia Siopa

Paulo MilHomens

Irma Lucia

Elsa Ferreira

Pedro Marques

WITH

Rui Morisson, Albano Jerónimo, Maria João Pinho,
Celia Williams, Carlos Malvarez, Ruy de Carvalho

SCRIPTS

PHOTOGRAPHY

EDITING

COLOUR GRADING

PRODUCTION DESIGN

SOUND EDITING

MUSIC

Solveig Nordlund

João Fonseca

Solveig Nordlund

COSTUME DESIGN

PRODUCTION

Luís Galvão Teles e Gonçalo Galvão Teles

Carlos Alberto Lopes

SOUND MIXING

Solveig Nordlund

Born in Stockholm, Solveig Nordlund is a director and editor. She began her career in cinema as an assistant in several films, but it was in Alberto Seixas Santos' Brandos Costumes (1973-1974) that her name began to appear in the credits as an editor.

In 1978, she made her fiction debut with Nem Pássaro Nem Peixe. Her first feature film was Dina e Django (1983), followed by Até Amanhã, Mário (1994), Comédia Infantil (1998), Aparelho Voador a Baixa Altitude (2002) and A Filha (2003). She has also directed short films and documentaries about writers such as Marguerite Duras, J. G. Ballard or António Lobo Antunes.